8/25/2023 0 Comments Final cut pro green screenTesting conducted by Apple in February 2022 using preproduction Mac Studio systems with Apple M1 Ultra, 20-core CPU, 64-core GPU, 128GB of RAM, and 8TB SSD.macOS Ventura or later is required to edit Cinematic mode video captured on devices with iOS 16 or later. macOS Monterey or later is required to edit Cinematic mode video on devices with iOS 15. During production, try to get at least 10 feet between the background and the talent. Viewers will think the spill is coming from the background. If you have talent with lots of spill, generally caused by placing them too close to the green background, using a background with some green in it will minimize the visibility of the spill. Once they see what you can do in Final Cut, you’ll never get a clean shot out of production again. Don’t show this tutorial to the folks in production, though. When you complete the mask everything outside the mask is removed!Īnd, we now have a very nice key from a truly awful beginning. To create a curve, click and drag the Pen tool. Using the Pen tool, which is automatically selected, draw a mask loosely around the talent. Go to Effects > Masks and drop the Draw Mask effect on top of the foreground clip that’s the one with the talent. Here’s where are now – a nice clean key with garbage around the edges. Here, there isn’t enough light to cover the background, much less spill on the talent. And Spill Level is used to reduce spill – that is, light from the background spilling onto the talent and giving them green edges. Edge Distance should be used to better separate hair from the background. NOTE: Fill Holes should be used when the body of the talent has holes or gray areas in it. While every key is different, when you are dealing with poor lighting, the Levels settings are the first place to try. What we are doing is separating the edges of the talent from the background. Watch the image, stop dragging when you have a solid black boundary around the edges of your talent. Then, drag the midtones Levels slider to the right a lot as well. Twirl down Matte Tools and drag the shadows Level slider to the right – a lot. Matte Tools are designed to compensate for lighting problems. This image is SO dark that we need more powerful tools to separate the talent from the background. Our goal is to get an area of solid black around the talent so that so we can use a mask to get rid of the garbage around the edges. But, the default settings were not designed for this shot. Normally, the default settings of the Keyer are good enough to pull a clean key from a well-lit shot every time. ![]() In other words, gray areas are the problem that you need to fix. Areas that are gray are translucent and need to be tweaked until they are either opaque or transparent. Areas that are pure black are transparent. Tweaking a key while viewing the matte is a very helpful technique. The reason for using an area near the face is that if the key around the face looks good, audiences will forgive problem areas elsewhere.įinally, click the middle View icon to display a matte of the key. NOTE: Be careful to only select colors in the background, avoid selecting any hair, skin or other objects. In the Viewer, drag a rectangle around a range of the background near the talent’s face to fine-tune the colors we want FCP X to remove. Then, click the Sample Color icon at the top. Open the Video Inspector > Keyer, then click the right (blue) View icon to display the original image (lower red arrow). The results are “better,” only in comparison to the original shot. ![]()
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